ADELE 19 Columbia Records/XL Recordings

The last time I was this moved by a songwriter was the first time I heard Ani DiFranco. Adele is just 19 years old and has an ability to weave words and wisdom together as if she’s been around much longer. Add to that a voice that is so striking and soulful it’ll leave you suspended in time just hanging onto her words and phrasing. Her influences include Billie Holiday, Etta James and Peggy Lee, but the pendulum swings wide and she’s also inspired by the likes of The Cure and Jeff Buckley. The beautiful, full-figured, young Brit speaks, sings and writes with an East End accent (working class), which only adds to her earthy appeal. When discussing her weight she’s said, “I don’t actually care. I don’t want to be on the cover of Playboy or Vogue, I want to be on the cover of Rolling Stone or Q. I’m not a trend-setter, I’m a singer.” Columbia Records inked a deal with Adele’s worldwide label XL Records to break the youthful chanteuse in the states. Since debuting on MySpace in 2004, she has received nearly 3.5 million profile views! The phenom entered the UK Album Chart #1 and 19 has already been certified Platinum in her homeland! The single, “Chasing Pavements” is a global hit and promises to be a smash on several radio formats here in the U.S. We’re delighted to welcome Adele to our world of Smooth! Thanks for the burst of articulated, raw expression… it's been sorely missed 'round these parts. ~SANDY SHORE

JIM ADKINS City Streets Clear Image Records

As I listen to Virginia guitarist Jim Adkins’ new album CITY STREETS, I’m pondering as to what it is about his music that makes me feel so good. The first song of Jim’s that I remember being enamored with was “Into the Storm” from his 2002 release TURNING POINT. Now, two albums later, CITY STREETS evolves and continues the outstanding quality I heard in that first listen to his music six years ago. This isn’t just a good album… it’s a great album… make that exceptional, it’s an exceptional recording! My ultimate test of any song is whether or not I would stay with it until it ends, even though I’d be delaying an activity such as getting out of the car or shutting off my iPod or Roku. There is not one track on this new album that I wouldn’t want to savor in its entirety before doing something else. Again, I have to ask why that is, and without delving too deeply into some analysis best left to a musicologist (or perhaps a psychologist) I’ll simplify it and call it an organic, simple elegance of expression. I love his melodies, the tone he brings out of his instrument, his pacing, his economy of notes, his soul, as it were, coming through his music. Jim Adkins’ CITY STREETS works beautifully for me. I can’t imagine that it wouldn’t work exactly that way for you! ~SCOTT O'BRIEN

AIRBORNE Winds of Change Tilt Records

Airborne has come to be known as the “Musical Peacemakers” of contemporary jazz… the new project WINDS OF CHANGE, in their words, is a message to humanity that it is time to turn the page. Based in New Haven, CT, Brothers Thomas and Gregory Borino, along with a large and impressive ensemble of talented band mates perform throughout the Northeast, leaving a wake of positivity and global goodness behind them. Thankfully Airborne has managed to harness this passion and creative energy and capture it on the ten new tracks on the band’s 6th album to date. Everything has a frequency… surrounding ourselves with frequencies of joy is the fastest way to changing the plights of the world. Airborne has just made this easy. Never has there been such a pleasurable soundtrack to focusing on achieving a greener, calmer, balanced world where all are free to fulfill their potential. Stuffed full with the trademark Airborne sound of island passion and urban emotion, WINDS OF CHANGE is a flavorful offering with the depth and character we’ve come to expect from this world-class group. Songs like the vibrant “Better Days Ahead,” the breezy groove “Winds of Change” and the tropical “Calypso Night” conjure up a crystal clear musical body of water that beckons to be jumped into! ~SANDY SHORE

THE ALLURE K*I*S*S SmoothLounge Ent

K*I*S*S, the debut release from The Allure, is a soulful blend of vocal perfection and instrumental excitement swirled together with persuasive lyrics. The engaging collaborative features critically acclaimed singer/songwriter Laura Chandler and nu jazz, lounge and chill composer Waldino (Walter Liskiewicz). The two were introduced by Internet Radio pioneer and producer Sandy Shore (SmoothJazz.com + SmoothLounge.com). Shore says, “I’ve worked with Laura for many years, we’re very close and I have a deep connection with her music. After developing a solid relationship with Waldino and producing several of his solo releases he and I starting talking about expanding the depth of his music vocally and lyrically and I knew exactly who to call.” K*I*S*S is the result of that phone call… a storm of song files and jotted notions in email began to fly between Chandler’s San Francisco, CA studio and Waldino’s Jackson, MI studio. The prolific Liskiewicz met his musical match in the adept chanteuse, who cleverly spins a colorful lyric covering the full spectrum of life, love and healing and delivers the words with sensual profundity over soulful rhythms that are at times vibey and loungey. Laura’s voice is sweet and articulate… think Weekend Players, Everything But The Girl and Zero 7. K*I*S*S delivers 12 sumptuous tracks that will leave you wanting more. ~Bridgette Vespa

AZIZA Jazzsoetry Vol 1 AzizaJazz.com

Meet a one-of-a-kind find… Aziza! She masterfully blends urban, jazz, soulful grooves and poetry with skill and agility on JAZZSOETRY VOL. 1. A music educator, Aziza was Alicia Keys high school music teacher and she was recently featured on Good Morning America with the 9-time Grammy Award winner. She also wrote the jazzy pop tune “La Costa” (as Linda Williams) which was recorded by Natalie Cole among others and in 1997 she received The Presidential Scholar Distinguished Teacher Award from President Bill Clinton. In addition to playing with her band in and around New York City, Aziza is Shelton Becton’s designated keyboard sub in Oprah Winfrey's Broadway hit musical The Color Purple. This busy and beautiful, spirited woman offers up a fun, high caliber release that has the jazz community abuzz. Pianist and composer Kenny Barron says, “Aziza has mined the depths of black music to come up with a sound that is sophisticated, melodic and funky as hell.” The Groove Boutique’s Rafe Gomez says that the syndicated show’s listeners have “responded with tremendous enthusiasm to Aziza's uniqueness and passion." Not surprising, there’s a richness and warmth to her vocals that is enveloping. Every song, whether it’s a vocal or instrumental, a jazz piece or sophisticated rap poetry, is articulated with impeccable style and ease. J to the A to the double Z, Aziza is the poetess of jazz from NYC. ~SANDY SHORE

KIM BANKSTON So Jobim Kimstar Entertainment

On his latest release, SO JOBIM, multi-talented multi-instrumentalist/vocalist Kim Bankston celebrates Brazilian jazz with a collection of gems from the pen of composer Antonio Carlos Jobim that reminds us, song after song, of what a brilliant legacy Mr. Jobim has left for us to enjoy time and time again. There’s not a tune on this album that you won’t recognize and include on your personal list of favorites, from the bittersweet ”Amore Em Paz (Once I Loved)” to the syncopated “Desafinado.” Mr. Bankston varies his approach from song to song, just to add a fresh twist to each. For example, there are the vocals, mostly in Portuguese but occasionally in English. There are the instrumentals, with sax, flute, marimbas and vibes variously in the lead. He deftly utilizes some of the original Claus Ogerman string arrangements from that desert island classic “Antonio Carlos Jobim – The Composer of Desafinado Plays,” circa 1963, which adds a familiar nostalgia to this project. I especially like the fact that Kim has used the original arrangement for his instrumental version of “The Girl from Ipanema.” (He also includes a vocal version of this classic.) The man from Miami has recorded a warm salute to the man from Rio... SO JOBIM… so delightful! ~SCOTT O'BRIEN

SYLVIA BENNETT Songs From the Heart Out of Sight Music

Welcome to a new classic… Sylvia Bennett’s timeless voice set to elegant instrumentation and sophisticated arrangements makes this one simply stunning. That, and the fact that she is surrounded by three of the most gifted saxophone players in the world: The legendary Boots Randolph, two-time Grammy nominee Ed Calle and eight-time Grammy nominee Kirk Whalum! This project is loaded with Grammy nominees actually, including Bennett herself for SENTIMENTAL JOURNEY with Lionel Hampton. SONGS FROM THE HEART is a collection of unforgettable tunes that create a brilliant stage for Sylvia to shine on with amazing clarity… her warm, sweet and smooth vocal delivery is breathtaking. Songs like “Embraceable You,” “My Funny Valentine,” “Since I Fell For You” and “Here’s That Rainy Day” are delightful carriages for the jazz chanteuse. The natural sonic approach will appeal to music enthusiasts of all ages. Fans of Diana Krall and Norah Jones will appreciate the organic, relaxed instrumentation while jazz aficionados will relish in the artful production. “It’s back to real players, back to grass roots… without synthesizers.” says Hal S. Batt, the award-winning producer of SONGS FROM THE HEART. Sylvia adds, “The recording is unplugged, transparent and my soul is exposed.” Precisely why SONGS FROM THE HEARTis a captivating collection and why Bennett is a successful, international recording artist and entertainer who, with this release, is sure to make even more fans around the globe. ~SANDY SHORE

PHILLIP BROOKS Just Between Us MoJoy Records

Let me introduce you to a most excellent collection of piano gem, JUST BETWEEN US from a gentleman who definitely knows his way around the keys. Phillip Brooks’ resume is impressive, starting in his Gospel music years with such names as Thomas Whitfield and Vanessa Bell Armstrong. Then it was composing music for Warner Bros. recording artist Guess at the request of Anita Baker’s producer, Mike Powell, and touring with both Mary J. Blige and the R&B group Silk Produced by Keith Sweat. In 2003 Phillip became Wayman Tisdale’s music director, and after three years with Wayman has moved forward with a solo Smooth Jazz career. So, a resume like that has to lead to an exceptional album like this… filled with romantic ballads and some old school jams as well. Seven originals and three tasty covers (“For the Love of You,” “Oh Happy Day” and Luther’s hit “Think About You”) create a fun and mellow soundtrack for a joyful summer and many seasons beyond. Phillip Brooks’ JUST BETWEEN US is a perfect illustration of what a delightful elixir results when sweet meets soulful. This one’s going to get some serious play time in my iPod! ~SCOTT O'BRIEN

DUANE CARTER Never Say Never ISMS Records

Trumpet/flugelhorn phenom Duane Carter has some amazing credits, dating back to his music training at South Central L.A.’s Locke High, where world-class instructors sent him away with the same education that has spawned talent like Patrice Rushen, Gerald Albright, “Ndugu” Leon Chancellor, and EW&F sax man Gary Bias. Then there are the continuing jazz and classical studies, ten years with the U.S. Army Band, BA and MA degrees, plus numerous awards for his compositions, arrangements, and sound designs. All of this history factors into what is a truly remarkable collection of multi-hued textures and sounds on NEVER SAY NEVER, Mr. Carter’s second solo release. He doesn’t like to pigeon-hole, and his penchant for musical diversity shines brightly here, with sounds ranging from funk to samba, rap to salsa, and even a touch of ambient. Duane speaks eloquently of his music, as he states, “I’m about music that speaks to the soul… to represent some of the experiences I have encountered during my journey through life, like musical landmarks.” NEVER SAY NEVER offers a decidedly organic sound, with jazz underpinnings clearly in evidence on every track, and a consistency of performance from the Austin, Texas resident and his band that ties this album together beautifully as a whole. Duane Carter’s NEVER SAY NEVER compels me to want to hear a lot more from this talented horn player! ~SCOTT O'BRIEN

THE CATES FOMIN PROJECT Journey With Us Attack Records / EMI

Demo Cates and Stan Fomin are both huge Smooth Jazz stars in Canada, with impressive credentials, not the least of which are numerous Canadian Smooth Jazz Awards nominations and #1 hits on the Wave 94.7 (Windsor, Ontario) Playlist. Now these two amazing talents have formed The Cates Fomin Project and it’s proving to be greater than the sum of its parts. Their new release, JOURNEY WITH US, is filled with sensuous and emotional performances that will surely impress you as much as they do me. The soulful vocals and sax work from Detroit-born Demo Cates, together with the brilliant keyboard work from Ukrainian-born Stan Fomin (both Toronto-based now) capture the essence of what makes the Smooth Jazz format so compelling and listenable! From the fresh new version of Cates’ hit single “I’ll Try Something New” and the live version of the equally-delightful “Just One Kiss,” this time with a Caribbean vibe, to Stan’s sensitive piano work on the instrumental “Sydney’s Song,” dedicated to all children with Downs Syndrome, this is a collection deep in rhythmic, melodic and textural variety. JOURNEY WITH US from The Cates Fomin Project is not only a perfect fit for today’s Smooth Jazz, but also for any discerning music lover’s collection! ~SCOTT O'BRIEN

PETER COR featuring JAZZY DEVILS 2 Hott WMGW Digital

In her review of Santa Cruz-based composer/keyboardist Peter Cor‘s previous release with Jazzy Devils, Sandy Shore wrote, “Monterey Bay is indeed all about the full spectrum of jazz, and Jazzy Devils embody this truth…” Well put, and certainly apropos of his latest project, 2 HOTT! Peter’s been around the musical block more than a few times, with the resume to prove it. For example, he’s written hit tunes for EW&F (“Getaway,” this album’s first track, is one of them), Lee Ritenour, Tuck & Patti… and that’s just the tip of the iceberg. This native New Yorker has performed on three continents, his music embracing many cultures and styles. Jazzy Devils also include Pacific Grove’s Gary Regina on saxes, bassist Roxy McDaniel and percussionist Renato Annicchiarico (both from Santa Cruz), and drummer Chris Miller from San Jose. The guys give us funk-a-plenty on this one (“Getaway” kicks things off big time, with Ronnie Laws sitting in on sax.), as well as fusion, Latin (“Hot Noche” is just what the title implies), and Smooth Jazz (Check out the lyrical “Morning Flower” and honey-sweet Brazilian-flavored “First Lyte”). Peter Cor featuring Jazzy Devils’ 2 HOTT! is a smokin’ hot CD, and leaves no doubt as to why this band is so popular in the Monterey Bay live music scene! ~Scott O'Brien

THE DANGLING SUCCESS Chilled Champagne Electric Reels

”Warning! this music is an aphrodisiac for the spirit!” The Dangling Success’ website reads in bright red. I personally wouldn’t limit its effects to just the spirit, however. The tunes on the debut release CHILLED CHAMPAGNE may cut into sales of Viagra and Cialis! Radio agrees, as they lavish the following comments upon the recording: “Smooth Jazz with a definite edge.” “It’s smooth and sultry, yet energetic and electrifying.” “A unique sound that’s fresh and will really perk up our listeners’ ears!” What’s getting everybody so excited about this Hudson River Valley, NY based Smooth groove band? You’ll clearly hear the answer when you check out tracks like “Lipstick Marks,” “Arabian Nights,” and “Chillin.” Mark “Dr. Sax” Neikrowitz and his compadres, guitarist Gioron Wilkins, Sr., bassist Mike McDonough, drummer/percussionist Paul Rossman, and keyboardist Daniel Odescalchi have got it goin’ on with this set of nine groove-laden originals. We hear their live shows are events to behold, as they leap onto tables and dance with the crowd while performing! I can’t wait for this album to be the catalyst for a national tour. The Dangling Success’ CHILLED CHAMPAGNE is big fun for the summer, and it’ll keep you warm all year round! ~SCOTT O'BRIEN

ERIC DARIUS Goin' All Out Blue Note Label Group

In my review of his first album, the 2000 indie release, CRUZIN’ by Eric “Smooth Breeze” Darius, I predicted that he’d be a household name in the world of Smooth Jazz sooner… not later. Now, just eight years later, with GOIN’ ALL OUT, his fourth release… second on the legendary Blue Note label, I have another prediction. Eric Darius will become a jazz legend. The talent, spirit and savvy that have brought him this far this fast will ultimately propel him to that point. He’s studying business now at the University of South Florida. His models for developing as an artist… Miles Davis and Herbie Hancock, and for saxophone virtuosity, Cannonball Adderley, John Coltrane and Charlie Parker. He wants to record a straight-ahead project at some point, as he recognizes that genre as the foundation of his playing. I’m convinced that it will be as brilliantly crafted as GOIN’ ALL OUT is. This CD is amazing. Eric continues to do his homework. In his words, “My new album is about the new directions my music is taking… I want to open listeners’ ears and expose them to a hybrid of sounds by offering them jazz from a new stylistic approach.” That approach is breathtaking, and offers the full spectrum of Eric Darius’ brilliance. This one raises the bar for today’s Smooth Jazz. It’s a winner of the first magnitude! ~SCOTT O'BRIEN

AL DEGREGORIS Three Before Midnight A-Pex Recordings International

Composer and keyboardist Al DeGregoris scores big here with an album of originals that combines traditional melodic jazz licks with the contemporary sensibilities of Smooth Jazz. The Long Island, New York native started it all at the age of 4, when he first played piano. From there it was sax at six, writing his first song and starting his first band at 7, and his first paid gig at 13! Intensive musical studies in both classical and jazz piano, designing and building his own studios, wowing audiences in some of New York’s most posh venues, and winning numerous awards for his compositions and performances has led at last to this dazzling debut recording, THREE BEFORE MIDNIGHT. Everything on this album is an original composition, and every instrument you hear is played by DeGregoris. He writes lush, compelling melodies, and combines them beautifully with an assortment of happening urban, hip hop, and Latin grooves, bringing everything from an uptown NYC feel to tropical Afro-Cuban and Brazilian vibes. This project is loaded with the good stuff… from the soft, pensive “Finding Forever” to the beguiling title track to the exuberant “Hot Potato,” plus everything in-between. I especially like the lyrical “Day Dreams,” the cinematic “Into the Light,” and the festive “BC’s Bounce.” THREE BEFORE MIDNIGHT from Al DeGregoris is great music from an extraordinarily talented musician! ~SCOTT O'BRIEN

ANDRE DELANO My So Fine NuGROOVE Records

I sensed when I first heard Andre Delano’s debut release FULL CIRCLE a couple of years ago that a new Smooth Jazz star was born. Now, with his third album MY SO FINE (his 2nd was the delightful FIRST CHRISTMAS) sensing has become knowing. We’ve always said, this outstandingly talented sax player and vocalist is, without question, the real deal. The evidence is overwhelming. His talent as a composer shines here with thirten originals, plus, he’s got Kevin Toney (“Soultie”) and Greg Adams (“First Dance”) aboard as guest artists. Just take a listen to the first radio single from this project, “Sista Caliente,” sounding just as sizzling has the title suggests. Then there’s the incredible “Once My Love,” with its sultry reggae overtones and an unforgettable hook. Also, you’ve gotta check out his amazing vocal work on the title track, as well as “The Da Da Song,” “I Do” (this will be a staple at weddings from now on) and “That Much (I Love U).” Andre Delano can pretty much do it all, and this will be the CD that catapults him into the rarefied air of Smooth Jazz stardom. In a nutshell, Andre Delano’s MY SO FINE is an absolutely first-rate hit album from first note to last! ~SCOTT O'BRIEN

DOUYÉ Journey DouyeTheArtist.com

Sultry, smoky, jazzy… the beautiful L.A. based, Nigerian-born Douyé (pronounced “doe-yay”) quietly storms the music scene with Sade-esque style and flair. Romantic, passionate lyrics and sensual melodies make Douyé’s first release, JOURNEY a Smooth Jazz natural. Straight from the Douyé dossier, the talented vocalist began singing in church at the age of 7 and by 10, she was expressing herself in poetry which would quickly turn into songwriting and by her mid-teens she traveled to Europe to pursue her musical dreams and eventually came to the U.S. Los Angeles, to be exact, where she studied voice at the acclaimed Musicians Institute. Douyé diversifies with music, poetry and collecting primitive art… The prolific songwriter teamed with renowned songwriter/producer Terry Shaddick (Olivia Newton John) to craft this debut collection of tunes and let me just say that I was so delighted to discover the project that I personally tracked the artist down to congratulate her! So many smooth hits on JOURNEY… the ones that stand out to my ears include the opening track, “Fly Away,” the sexy and clever, “On For You,” and my favorites, the R&B/Jazz hybrid “Wicked World” and the sassy, sultry “A Day in Paradise.” Don’t be late to this party, jump on board Douyé’s JOURNEY and enjoy the smooth ride. ~SANDY SHORE

ROBBIE DUPREE Time and Tide Chrome Willie Music

You, me and Dupree… the recipe for an introspective, groove-injected sonic experience. The new TIME AND TIDE is an amalgamation of intoxicating, funky-retro grooves, sophisticated lyrics and rich vocals from hitmaker Robbie Dupree. You remember the 1980 smash “Steal Away” and the Top 10 follow up, “Hot Rod Hearts”? Since those days, he’s been quite busy writing, producing and performing, with some 9 recordings to his credit over the past 25 years and a loyal, global audience. TIME AND TIDE is the artist’s first foray into Smooth Jazz, a genre he feels is simpatico with his adult brand of music… we fully agree! The Woodstock, NY resident has created a collection of songs here for 2008 that reflects a jazz sensibility with a pop agenda. Fans of Steely Dan, Michael Franks, Don Henley and, thinking even more contemporary, John Mayer… will thrill at Dupree’s new, artful adventure. What we don’t have here is an 80’s pop star repackaging his material and selling it as fresh. Instead, Robbie Dupree is an evolved musician’s musician who surrounds himself with stellar players, new media and innovative ideas. This Renaissance man has produced a brilliantly robust new album; to our ears it rivals anything we’ve heard from the above-mentioned iconic artists. Tracks like “Sugar Tree,” “Blue Monday,” “Wrapped Around Your Finger” and “Satisfied” are sure to lure you into the ever-evolving world of Robbie Dupree. ~SANDY SHORE

JONATHAN FRITZÉN Love Birds Nordic Night Records

Breezy, sophisticated piano playing and hip, stylish songs -- LOVE BIRDS, the debut from 25-year-old Swede Jonathan Fritzén. The eleven original compositions convey a crisp, signature sound that will introduce this talented recording artist as an instant star. Born in Stockholm to a Swedish mother and an American father, Jonathan grew up in a musical family. On LOVE BIRDS he handles everything… from writing, playing and vocalizing to producing the album. A graduate from the Royal Academy of Music in Stockholm, Jonathan is one of the first students to receive a Masters Degree from the Jazz dept. With all eyes currently on another Swedish musical sensation (Mama Mia in theaters worldwide) the charismatic young artist has chosen the perfect time to present his LOVE BIRDS. No stranger to fame, the bright-eyed Fritzén has worked on popular TV shows in his homeland and has played with some of the country’s biggest stars. When I spoke to Jonathan, I asked what influenced him to write Smooth Jazz and his answer was that he’s been listening to SmoothJazz.com since he was teenager! Bob James and Paul Hardcastle fans will be smitten by Fritzén. The tasty “Temple of Dreams” is the first single, but I’m also very fond of the urban groove track “Back 2 The Club,” the sensually cinematic, “Midnight Secrets,” and the hooky “Like A Star.” LOVE BIRDS soars! ~SANDY SHORE

MICHAEL HAGGINS Traffic Cuate Records Corp.

We have been excited since we got the news that Michael Haggins “aka” Squeak has a new summer release! Well, it’s finally here… all 10 songs are available now! The composer/musician is a native of Pasadena, CA and started his music career (or shall we say interest) in grade school when he began playing sax, drums and electric bass. His influences include Sly and the Family Stone, George Duke, Stanley Clarke, the Motown sound and Grover Washington, Jr. Michael is related to music royalty, he’s the nephew of the late Al Duncan, one of the world’s most recorded blues and jazz drummers with the VeeJay and Chess labels. In the 1950’s Uncle Al played with greats like Count Basie, Mahalia Jackson and Big Joe Turner. Continuing the legacy, Michael debuted on the Smooth Jazz charts in 2004 with his debut, DAYBREAK. His brand new album, TRAFFIC features some rich, feel-good jams like the Smooth Jazz hit “Traffic” where Michael drive’s it home with this souped up summer groove. His laid back style is funky and smooth on the entire album. We really like the fresh, vocal-laced “Hooked On You,” the Hardcastle-vibey tune “Sunday” and the very suave, Latin-tinged “Cuate.” Merge carefully onto the Information Super Hwy now and pick up your copy of TRAFFIC! ~SANDY SHORE

NATE HARASIM Love's Taken Over NuGROOVE Records

Piano/keyboard phenom Nate Harasim has the gift. Ms. Elizabeth Bump must have known it when she gave him his first piano lesson twenty years ago. His instructors and mentors at the Flint (Michigan) Institute of Music must have known it, as evidenced by his numerous scholarships and awards. At sixteen Nate formed a straight-ahead group called MoJazz, a group that eventually opened and shared the stage with names like Norman Brown, Roy Ayers, Tom Braxton, and Pamela Williams. They all must have known it. After a stint in the Navy, which included more education and accolades at the Naval School of Music, his intention was to land an endorsement deal with Yamaha and start producing his own music. Eighteen months later, voila… NEXT IN LINE, his amazing debut album, was a reality. Fast forward (that’s the way Nate works, you know) to 2008. Second release… LOVE’S TAKEN OVER… sounds like it comes from someone who’s been doing this forever, sounds like a hit, will be a hit, and will be his watershed Smooth Jazz CD. Back not that long ago, a young Nate Harasim had dreams of playing in front of the masses. Now he does, and the masses love him. It’s that gift he has that I was referring to. When you hear him, you’ll know it too! ~SCOTT O'BRIEN

CURTIS HAYWOOD Curtis Haywood Smooth Sounds Records

On sax man Curtis Haywood’s web site you’ll find this quote: “My sole intent, when I play, is for my voice to resonate to the core of your soul. I want the music to penetrate your body, your mind, and your spirit. I want my music to be a sacred blessing and for you on some level to come away whole.” These words come from a man, Brooklyn born and raised, who, as a youngster of five or six, was given a trumpet by his parents. He refused to go to bed without it! Even without this background insight, I’m certain you’d still get from this grand collection of quality “in-the-pocket” Smooth Jazz tunes that Curtis possesses an enormous amount of talent and passion. His brilliant soprano sax work vibrates with a maturity belying the fact that this is his first solo release. The dozen tracks include 9 quality originals, including a re-mix, and 3 covers (Brian McKnight’s “Anytime,” Stevie Wonder’s “Creepin’,” and Musique Soulchild’s “Just Friends - Sunny”). We here at SmoothJazz.com really dig “Anytime,” “Manee (Mon-et)” + the re-mix, “Rain Song (A Prayer for Ethiopia),” as well as “Springtime.” Expect Curtis Haywood to rapidly become a household name in Smooth Jazz! I submit his self-titled debut CD to you as incontrovertible evidence! ~SCOTT O'BRIEN

HIDDEN BEACH RECORDINGS PRESENTS Unwrapped Vol. 5 : The Collipark Cafe Sessions Hidden Beach

Holla! They’re back… Hidden Beach Recordings couldn’t walk away from one of the most successful and unique music series of all time. Thankfully, after a mighty long hiatus (2005), we welcome you to the Collipark Café Sessions on UNWRAPPED VOL 5.0. Back in the studio and not just any studio mind you, the sizzling hot ColliPark Studios (home of hip hop and rap stars Soulja Boy, Hurricane Chris, Ying Yang Twins and Lil Jon to name a few), Hidden Beach Homies Mike Phillips, Jeff Bradshaw and Peter Black teamed up with Serie’s collaborator’s Karen Briggs and Jeff Lorber, plus legendary Trombonist Fred Wesley. 5.0 is hit-packed and jazz-smacked with smoothed out, popular hip hop and rap chart toppers made popular by the aforementioned recording artists as well as Snoop Dogg, Ludacris, Young Jeezy & Akon and others. The UNWRAPPED series has always had a knack for jazzing up the most impacting hip hop tunes and expanding their already broad range which in actuality has turned hip hop and rap fans onto jazz and in turn, jazz fans onto hip hop and rap. 5.0 - The Collipark Café Sessions promises to fulfill your deepest desire for more UNWRAPPED sessions with thick, soulful tracks that once again flow artfully in a mix-like manner. Get yourself some! ~SANDY SHORE

LISA HILTON Sunny Day Theory Ruby Slippers Productions

The theory is, according to Lisa Hilton, “There can be great depth in something as simple as a melody or a walk on the beach… within every blues there can be astounding beauty… and with tomorrow, there is always the hope for a sunny day.” She’s in so deep now she may not even realize that she’s been woven into this American music tapestry… like a flower petal is absorbed into the soil, Lisa Hilton has transcended into a universal jazz consciousness. Surrounded by players who encompass and embrace her, the artful pianist is in top form here with Lewis Nash on drums, Larry Grenadier on bass and Brice Winston on tenor sax. SUNNY DAY THEORY embodies what all great jazz recordings have nestled inside them… organic soul. Eight originals and four covers from critically acclaimed songwriters effortlessly fall into the atmosphere, arriving with confidence and integrity. From Ms. Hilton’s own “Heat Wave” to Joni Mitchell’s 1968 tune “Ladies of the Canyon” to the self-penned title track to the late Joe Zawinul’s “Mercy, Mercy, Mercy,” this recording is sensitive, reflective and timeless. Hilton brings Al Schmitt back for more flawless recording and mixing at the famous Capitol Records Studio in Hollywood, CA. SUNNY DAY THEORY is a beautiful classic, from the inside out. ~SANDY SHORE

STEVIE HOLLAND Before Love Has Gone 150 Music

Oh, how I love this music! It just doesn’t get any better than this. Stevie Holland’s BEFORE LOVE HAS GONE is The Great American Songbook… enhanced. Enhanced by the extraordinary voice and stylings of my new favorite chanteuse. Enhanced by the inclusion of some intriguing rarities such as the Richard Wilbur/Leonard Bernstein gem “Make Our Garden Grow” from the mid-century musical “Candide” and “Daybreak,” the Harold Adamson/Ferde Grofe composition from the 1942 flick “Thousands Cheer.” Enhanced by the inclusion of two entrancing originals, “The Music In Me That Plays” and the title track, from the pens of Stevie and her producer/arranger/husband Gary William Friedman. Enhanced by the ever appropriate, never overpowering jazz quintet of piano, bass, drums, guitar, and saxophone that accompanies her stunning interpretations and allows her amazing voice to shine through. To say I’m impressed with this album would be a gross understatement. This is a superb collection of songs, lovingly selected and written, adroitly interpreted with ultimate class and intuition. In her words, “Memories flow through each of these songs of love, up to and including the new ones Gary and I write together…” This native New Yorker has outdone herself on her 5th solo release. Truly a breathtaking listening experience. I hear Stevie Holland and I get goose bumps. Need I say more? ~SCOTT O'BRIEN

DON IMMEL Long Way Home Elemental Music

You might think parades, comic relief and big band… but you probably don’t think of sexy when you consider a trombone. That’s about to change… Don Immel is single handedly bring sexy back to the trombone! Quite honestly, I’ve never been more impressed with a recording where trombone is the lead and in fact, let me just say that LONG WAY HOME is one of the most impressive works I’ve heard in 2008 thus far. Immel’s style is rich and sophisticated… as well as uber hip to the point where his trombone sounds more like a robust flugelhorn if you will, offering a creative texture to the artist’s inspired ideas and melodies. Don has played with artists as diverse as Chris Botti and Elvis Costello which may have influenced the smooth alternative blend on LONG WAY HOME. The former University of Washington (Seattle) professor now makes Europe home as he plays and tours extensively in Denmark. He promises to relocate to SmoothJazz.com country on the Monterey Peninsula when he explodes internationally, but I don’t think he realizes, that may be sooner than later. Songs on this collection are ideal for film soundtracks… Don’s take on Led Zeplin’s “Whole Lotta” literally left me speechless the first time I heard it… featuring a killer vocal from Chandry Moore. Incorporating elements of jazz, chill, pop and neo-classical LONG WAY HOME is phenomenal and proof positive that Smooth Jazz is flourishing with spirit and ingenuity. ~SANDY SHORE

JAZZ CRUSADERS featuring Wayne Henderson Kick the Jazz WMGW Digital

Nearly 50 years ago, Wayne “Trombone” Henderson, along with his childhood buddies Wilton Felder, Joe Sample, and Nesbert “Stix” Hooper, formed a band that would become the world-renowned Jazz Crusaders. After a hiatus from the group, during which he produced and recorded with a literal Who’s Who of the music world, Wayne brought the Jazz Crusaders name back into the spotlight in the 1990’s with a successful reunion project with Felder and Hooper. Along the way, Wayne has become a jazz icon, driven by the passion to experiment with different music genres and stretch the limits of his creative instincts. KICK THE JAZZ… JAZZ IN THE HIP-HOP GENERATION features a new hybrid he calls “Jazziphop,” a sophisticated blend of rhythmic, lifestyle beats and the trademark Crusaders electric fusion groove… enhanced by rapping from E. Dooney on hot tracks like the new version of the classic “Keep That Same Old Feeling,” and some amazing vocal work by neo-soul artist Brenda Pierce on “I Want a New Man” and the high-energy closer “Goin’ Tribal.” So whether you’re an established Jazz Crusaders fan, or brand new to this group, we highly encourage you to kick it with the The Jazz Crusaders featuring Wayne Henderson and their sizzlin’ hot KICK THE JAZZ! ~SCOTT O'BRIEN

GAIL JHONSON Pearls NuGROOVE Records

Keyboard diva Gail Jhonson’s latest CD, PEARLS is a winner, kicking it up a notch from her impressive KEEP THE MUSIC PLAYING release I wrote to you so enthusiastically about three years ago. The music director for Norman Brown’s Summer Storm tour has created another sparkling jewel of an album, combining the best and most compelling of those elements from which Smooth Jazz hits are made. Lyrical melodies, entrancing grooves and top drawer supporting players are all in place, including guest artists Marion Meadows (featured on the disc’s first hit single, “Pearls”), Nelson Braxton, Pieces of a Dream’s James Lloyd, Paul Brown, and of course Norman Brown. This pretty Philadelphia native, now based in L.A., is a savvy player, knows what works for this genre of music, and delivers it yet again in her signature, first-class style on a dozen original compositions… both from Gail and the members of her team. In addition to the single, some other tracks that have caught my ear include the lovely “Pacific Breeze,” featuring Nelson, the hooky “Feel Good Groove,” the pretty ballad “Miles Away,” and the delightful “Soleh,” featuring Norman’s primo guitar work. Just as with her previous disc, Gail Jhonson’s PEARLS shows once again that this talented musician and author of "Funky Keyboards" and the "Dictionary of Keyboard Grooves" can walk her talk and deliver another masterpiece! ~SCOTT O'BRIEN

ED JOHNSON & NOVO TEMPO The Other Road Cumulus Records

Brazilian music has been an addiction of mine since the early 1960’s, when I first heard Jobim and the Getz/Gilberto collaborations. Naturally I was quite eager to give Ed Johnson’s new project THE OTHER ROAD a listen when it arrived in my mailbox. I’m extremely pleased to report that it has quickly become a current favorite in my player. This Palo Alto, California native has assembled an impressive band of musicians here to support his brilliant guitar and vocal artistry, and together they absolutely nail the great vibrancy, romance and beauty of this amazing music. Mr. Johnson puts it succinctly when he says, “…I constantly strive to pay homage to the music that has inspired me over a lifetime…” He succeeds glowingly on this, his fourth solo album. All songs are originals, composed all or in part by him and members of his band. The moods range from the soft and sweet “Song for My Daughter” and “Chorar” to the unbridled exuberance of “Samba 2 Tom” and “View from Above,” the latter tune written by electric guitarist Scott Sorkin. In keeping with Mr. Johnson’s theme of “roads taken, roads left behind, and roads that diverge,” the lyrics on some material have bite and astute social commentary, with titles such as “Katrina” and the anti-war “Bolero: Solo a Vivir.” Taken as a whole, Ed Johnson & Novo Tempo’s THE OTHER ROAD is a completely entrancing journey into all that makes Brazilian music so timeless and captivating. I love this album! ~SCOTT O'BRIEN

GREG KAVANAGH Boardwalk Cafe Greg Kavanagh Music, Inc.

Greg Kavanagh is someone you definitely need to meet. If you’re at all familiar with Canadian music, you already know Greg, from his work with Juno award winning dance band BKS (he’s the “K”) as well as superstars the likes of David Foster, Aretha Franklin and Linda Ronstadt. His travels have taken him from Halifax, where he played guitar and piano with rock and R&B bands as a teenager, to L.A., where he studied guitar with Lee Ritenour, then on to Detroit, where he immersed himself in the vibrant R&B scene, and finally to his current base of Toronto. These days Greg’s working on myriad musical ventures out of his state-of-the-art studio, Kavasound, including this, his latest independent production... BOARDWALK CAFÉ. From the first licks of the joyfully Reggae “Jamaka,” which just knocks me out, to the dramatic, introspective “A Night to Remember,” with a vibe that reminds me of the Santana tune, “Europa,” his guitar work totally sparkles, with layered sounds and stunning solos. He sets his playing in a brilliantly produced atmosphere enhanced but never overpowered by the talented support of drummer Davide Di Renzo, Russ Boswell on bass, and Rob Gusevs on piano and organ. The photo on the album cover… Mexican fan palms silhouetted against a captivating Pacific sunset, totally captures the positive feel of Greg Kavanagh’s BOARDWALK CAFÉ. To my ear, this one’s a Smooth Jazz must-have! ~SCOTT O'BRIEN

BERNIE KENERSON Bernie Game Bernup Records

We are pleased to welcome the latest from multi-instrumentalist, Bernie Kenerson, BERNIE GAME – The Art of the EWI. Dedicated to the graceful energy of the Electronic Wind Instrument (EWI) Bernie presents 12 new tracks that create a Smooth, Contemporary Jazz venture. I enjoy the depth and passion of his compositions combined with the free spirit of his playing… The EWI is so retro it’s cool and in fact, Bernie uses elements of hip hop and jazz on songs like “Candle and Wine” to create a very sophisticated yet modern vibe. On his website he says, “I'm very influenced by the last fifty years of jazz… Bird, Coltrane, Miles, Cannonball Adderley, Wayne Shorter and Smooth Jazz the likes of David Sanborn, Grover Washington, Tom Scott, Jeff Lorber Fusion, Najee, Kenny G, Boney James, George Howard, George Benson, Gato Barbieri, John Klemmer and The Yellowjackets.” While his EWI playing is mainly inspired by “Chick Corea, Herbie Hancock, George Duke, Joe Zawinul, Tom Schuman, Jan Hammer Bob Mintzer and Michael Brecker.” Bernie Kenerson is a jazz musician’s jazz musician… he’s keeping the dream alive and in perfecting the art of the EWI, he’s managed to capture classic, contemporary and smooth in one outing on this new winning collection, BERNIE GAME. For our friends in radio, check the edit of “Bernie Game” for your playlist. My favorite may be the melancholy glide, “I’ll Remember This Day,” but the entire collection is really what makes the light shine. Game on, Bernie! ~SANDY SHORE

BRIAN KING Carribean Sunset A King's Dream

From Sacramento, California comes the Saxanator! Get ready for some sexy, jazzy, urban flavored, tropically treated Smooth Jazz on Brian King’s sophomore recording CARRIBEAN SUNSET. The saxophonist has been making impressive jazz inroads for some time… he’s played on a Wayman Tisdale album as well as on contemporary Christian artist, Tracy Lewis’ project. In 1998, he debuted his own independent recording label A King’s Dream and in 2000 released his first album of the same name and sold well over 5,000 copies in the U.S! For King’s fans CARRIBEAN SUNSET has been a highly anticipated wait… one that was well worth it! Sure to win over even more enthusiastic listeners, CARRIBEAN SUNSET showcases Brian as a top notch, world class saxophonist who offers up eloquent and smooth playing that rivals even the Smooth Jazz crème de la crème sax men and women. His effortless performances are captivating and strike the perfect balance between funky and smooth. The sign of a secure sax player is one who does not over play just because he/she can. Brian allows his music to breath and in turn his music grooves. I can’t say enough about the gentleman’s tone… it’s so solid. Think Boney James meets George Howard. Tunes like “Smooth Saxanator,” “Yes I Miss Your Lovin’” and “So In Love” are as inviting as those turquoise waters of the album’s namesake. I have big hopes for the Saxanator… he’ll be back! ~SANDY SHORE

STEFFEN KUEHN Trumpop Stef Records

I’m blown away by this new project from San Francisco Bay Area trumpeter Steffen Kuehn. It’s outstanding, and here’s why… he’s incredibly talented, and he gets it! Steffen knows what works for Smooth Jazz. The recipe isn’t a secret, but it amazes me how so many artists seem to miss combining the right ingredients in the right proportions. TRUMPOP is a surefire lesson plan for anyone planning to release a hit Smooth Jazz album. Compose solid, lyrical songs, add two or three killer covers (in this case a pop hit, “Through the Fire” and two jazz classics, Pat Metheny’s “Spring Ain’t Here” and Miles Davis’ “Blue in Green.”), include a tasty vocal ballad (“For All the Things,” featuring Carla Helmbrecht) and an engaging Latin tune (the Bossa-flavored “Sleepless Nights,” featuring scatting from Claudia Villela). Then find a talented support team, like keyboardist/producer Peter Horvath, guitarist Ray Obiedo, bassist Nelson Braxton, drummer Brian Collier, and percussionist Karl Perazzo. Now, here’s the essential spice you need… arrange all of these ingredients with a jazz sensibility; then add brilliant, passionate performances and crisp production values. Voila! You have a fresh, exciting collection of music that Smooth Jazz fans worldwide are going to love, and that forward-thinking Smooth Jazz broadcasters are going to embrace and support. You have a hit album. You have TRUMPOP by Steffen Kuehn. Class dismissed! ~SCOTT O'BRIEN

LARRY LAGERBERG Footprints in Paradise GrooveMeister Music

Trumpeter/flugelhorn player Larry Lagerberg is the perfect example of someone not letting the fire dampen. This Colorado jazz musician put his musical ambitions on hold for a few years while developing a career in finance. You may think it odd after attending college for music studies, but Larry banked his dream for certain stability. We couldn’t be more delighted that the music in his head wouldn’t stay silenced forever… Larry debuts with one of the most classy and elegant jazz albums we’ve heard in a long while. FOOTPRINTS IN PARADISE is really lovely and ideal for relaxing, unwinding, dreaming, dinner partying, etc. One of his influences is Michael Franks and honestly, the subtlety of Larry’s music is definitely along the lines of the sensual jazz vocalist. This mostly instrumental project is refined and tranquil; cinematic if you will. The first song, “Sanctuary,” is a beautiful, moody piece that may spark your imagination of being in a huge, Gothic cathedral. Another favorite is the breezy title track, “Footprints in Paradise” which is reminiscent of the work of Chuck Mangione (think: CHASE THE CLOUDS AWAY). Also, the Latin “Southern Exposure” offers a Metheny-esque vocalizing / Brazilian vibe that is very cool. There’s not a song that you won’t enjoy on FOOTPRINTS IN PARADISE. You are welcome to pick up the entire album as a soundtrack for your jazz collection, or download individual tunes at LarrysJazz.com. Larry’s Jazz is our kinda jazz! ~SANDY SHORE

BRADLEY LEIGHTON Soul Collective Pacific Coast Jazz

I remember recommending flutist Bradley Leighton’s JUST DOIN’ OUR THANG as a superb example of “Smooth Jazz meets cool jazz” a few years ago. Then it was BACK TO THE FUNK where “Smooth Jazz meets old school funk,” that I was raving about. Now he’s done it again with his newest release, his 4th, SOUL COLLECTIVE, where as Bradley puts it, “we feature the flute in a variety of ensemble settings… each… producing its own unique sound.” What a great collection of tunes! He continues, “It's fresh and funky – with just enough old school greaze added to ‘keep that same old feeling’ alive and well.” He’s got label-mate Tom Braxton playing sax on a pair of killer tracks, “It’s On” and “Café