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INTERVIEW
TOOK PLACE WITH MARK EDWARDS WHILE HE WAS ON THE AIR DURING HIS AFTERNOON
DRIVE SHIFT ON 11/5/02.
SJ.COM:
How
long have you been with KCIY?
M.E.:
Just coming up on one year. Prior to that I programmed the Smooth Jazz
station in Atlanta, GA (WJZF - "Jazz Flavors") for 7 years.
From there,
I went to in New Orleans; WSJZ which is now doing "Rock & Talk".
SJ.COM:
Is "Smooth Jazz" still doing it for you after all these years?
Are you still feeling passion for the music?
M.E.: Absolutely. I'm more passionate about the
format that I ever have been.
SJCOM: Are you happy with the direction of the format's
new music? What are you hearing?
M.E.:
The new music now is more up tempo than it used to be and it's very fresh
sounding. New music is what you make of it. And there's a lot of it out
there right now so you can shape your radio station however you like with
what's available.
SJCOM:
How are you shaping KCIY?
M.E.:
Adding new music presents a tough
decision because there's a balancing act that you have to do when choosing
music to appeal to all of the segments of the audience. I look for songs
that I think will appeal to our diverse audience here in Kansas City.
SJ.COM:
How are you with cover songs?
M.E.:
There
is some concern that Smooth Jazz is too cover heavy at the moment. Some
of the new covers are sleepy dentist music. I won't play those. If you
are going to do a remake, do something original with it.
SJ.COM:
Do you feel that the covers are pandering to the AC audience.
M.E.:
There's two sides to that thought. Sure, some of the artists create songs
especially for the format, but other artists, like Pat Metheny, won't
even release an edit of his new music for this format. There's not a track
shorter than 6 or 8 minutes on "Speaking Of Now". C'mon, throw
me a bone here.
SJ.COM:
What covers work for KCIY?
M.E.:
BWB's "Groovin'" and Group 3's "Roll With It', which tests
well in Kansas City as we have strong rock roots. I also love everythihg
that Jeff Golub does and his new CD is great.
SJ.COM: Who's going to be the next core artist(s)? The next Kenny G, Sade,
or Boney James?
M.E.: A lot of people are saying that we're not
raising any more super star artists in the format. But Norman Brown is
the one that comes to mind. He's such a great artist. He's
from here.
SJ.COM:
Care to discuss the vocals of the format?
M.E.:
In Atlanta we were playing Michael Franks, Manhattan Transfer, all those
vocals that everyone thought were format compatible. As we started testing
these vocals over the years, we found out that they didn't do that well.
We
started bringing in some Marvin Gaye and the like and we found that this
stuff was incredibly polarizing with the audience, As the format matured
however, these vocals have become much less polarizing. In fact, I heard
someone recently say that
Smooth Jazz is almost like instrumental R&B.
Now,
the current vocal category is the single most explosive part of the format.
It's very difficult for me to determine who to give a shot to. I try to
give play to artists that I have an affinity for, like Norah Jones and
Marilyn Scott.
SJ.COM:
Julia Fordham?
M.E.:
No, for the most part, if a vocalist isn't a crossover artist, they don't
seem to test well. We played Norah Jones for two months and she ended
up testing very poorly. I feel like we wasted the air time (18 spins a
week for 8 weeks) on something that our listeners didn't care for.
People
come here for the instrumentals and the vocals are the "glue"
that holds things together. Vocals bring the cume up and they bring in
the people that don't expect to hear anything familiar on a Smooth Jazz
radio station. And hopefully they'll stay beyond the vocal and listen
to the station for awhile.
MARK
INTRODUCES "EVERY BREATH YOU TAKE" FROM THE POLICE ON THE AIR.
M.E.:
For three tests in a row, this song is the #1 tested song for us. Can
you believe that?
SJ.COM:
Out of vocals and instrumentals?
M.E.:
Yes!
SJ.COM:
Do you use BA for your research?
M.E.:
We use BA as a tool to test our music. We determine the list of songs
that we want tested and sometimes BA finds our test list "highly
unusual", but this is our station and we're paying for research.
SJ.COM:
If you could cross over any sound or artist into the format without concern
of risking ratings, who or what would you introduce to Smooth Jazz?
M.E.:
I've been doing this so long that it's becoming less about me and more
about the audience and the format at this point. I have my own personal
favorites, but I don't think that is a good way to program a radio station.
It
is safe to admit that we are playing more R&B since I got here a year
ago. Back then the station was leaning slightly more New Age. When I came
here I saw opportunity in the market and through research I determined
that the market is 13% African American and historically the format attracts
this audience. Plus, there weren't a lot of choices for this audience
in our market. Leaning more R&B is certianly not going to upet the
white audience, because they enjoy this flavor as well.
SJ.COM:
What's the best way for a new Smooth Jazz artist to develop their career?
M.E.: That's a tough one. I get calls from them
all the time and these artists ask me where to go and what to do.
SJ.COM:
Did you know that Smoothjazz.com has a Developing Artist package for new
artists breaking into the format?
M.E.:
No, I wasn't aware of that. That's wonderful. I will certainly refer new
artists to you.
SJ.COM:
How do you utilize Internet presence to further your radio station's image
and your programming?
M.E.: We're using the Internet more and more for
the station. We were just about to launch our audio stream when all the
fee issues came up. We do however, direct people to live events and to
purchase concert tickets on our site. We have a data base of 7,000 and
growing and we send out a weekly HTML newsletter. We have a VIP Club on-line,
as well as a photo album, and we feature our playlist as well.
SJ.COM: What was the last live show you caught?
M.E.: Bobby Blue Bland & BB King. It was a great
concert!
SJ.COM: What's in your personal CD player)?
M.E.: BWB
SJ.COM: Outside of radio, are you an enthusiast for anything else (wine,
golf, movies, etc.)?
M.E.: Singing, I'm in a gospel choir. A black gospel
choir here in Kansas City.
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